Thursday, May 28, 2009

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Seekirchl, Seefeld, Tirol - gegen Reitherspitze, 2375 m


The Seekirchen

The Seekirchen is just west of Seefeld at the beginning of the wide unobstructed Möserertales on a small rocky island. Archduke Sigismund the Rich was here in the middle of the 15th Century can create an artificial lake that was drained around 1807. The church is also called the Holy Cross Church, after the miraculous Cross from the beginning of the 16th Century on the high altar. The Augustinian monks had this set up as a crossroads near the present location.
Wundertätiges Kreuz in der Seekirche, Seefeld, Tirol Two legends contributed to the creation of this sacred building. 1628 penitent pilgrim gained by strong words from the Cross forgiveness of their sins (fresco on the right). This event was repeated two years later. Shortly after Archduke Leopold V by on a hunting trip on the miraculous cross. He was so moved by the sight of the crucified, he asked for a priest for confession (wall fresco left) and vowed that "lovely, very moving Crucifix" to build a chapel. The building was immediately begun in 1628 and war bis zum Tod Leopolds 1632 nahezu abgeschlossen. Die weitere Ausgestaltung verlief schleppend, sodass die Kirche erst am Hohen Frauentag 1666 eingeweiht werden konnte. Das Patrozinium wird am Fest der Kreuzerhöung am 14. September gefeiert.
Die Heiligkreuzkapelle ist ein frühbarocker Zentralbau und wird dem Innsbrucker Hofbaumeister Christoph Gumpp zugeschrieben. Über einer achteckigen Rotunde erhebt sich eine hohe Kuppel mit Laterne für den Lichteinfall. Zwei Seiten des Oktogons sind durch halbrunde Nischen für die Seitenaltäre erweitert. Gegen Südosten schließen ein quadratischer Altarraum, eine kleine Sakristei und der Turm an.
Das Renaissance-Portal ist in grauem Marmor ausgeführt und trägt das Allianzwappen Österreich-Medici with archduke of white marble. The same coat of arms, we find again the high altar, it refers to the marriage of Leopold to Claudia de 'Medici. Through a beautiful, richly decorated wooden door from the years 1630-1650 you get into the interior of the giggles. Walls and dome are divided by stucco friezes. In the fields of the dome-than-life angels with suffering tools are shown in bright colors. The paintings are attributed to the painter Hans Schor Innsbruck.
the graceful rococo altar with the miraculous Cross has set up in 1768 Hans Greuter, as a little later the two side altars. The altar panels on the left show the cross by the St Discovery. Helena and right the Exaltation of the Cross by Emperor Heraclius to Jerusalem. Both paintings are signed with Joseph A. Puellacher. From him, the wall frescoes are the issues of cross legends. The Stations of the Cross in the Tuscan pilasters are formed by an unknown artist around 1830. The small wooden platform on the parapet with five popular paintings, which point to the influence of the Augustinian Hermits and from the beginning of the 19th Century come from. Shown are St.. Augustine, Nicholas of Tolentino, Thomas de Villanova and John a Facundo. Since 2003, a small electronic organ stands in the gallery.

Fakes De Elizabeth Gillies

Wallfahrtskirche zum Heiligen Blut in der Pfarrkirche zu Seefeld, Tirol


The Holy Blood

Archduke Ferdinand II stayed not only as an avid hunter, but more often as a pilgrim in Seefeld. He was a promoter of the pilgrimage by the court architect Albert Luchese 1574 tribute to the chapel create a recreation room for the blood Host . Originally built in simple Renaissance style, it has Emperor Charles VI. 1724 barockisieren leave. Coat of Arms and the year in the wrought-iron grille prove this.
The chapel is a barrel-vaulted room flachbogigen windows. The vault of the multi-contoured stucco cornice is rich with roses, acanthus, shells and cornucopias. Plaster work Michael Hann and Konstantin are Rieser, the paintings attributed to the court painter Michael Huber. The images in the oval middle of the ceiling, the host side and all around wonder miracle stories from the New Testament.
are for easy and quick detection of the representations given to the Latin texts and their translations.
"Virtus et de illo exibat sanabat omnes": A power went out from him, all healed.
"Caeci Vident, Claudi outpatient surdi audiunt, mortui resurgent" weider see the blind, the lame walk, the deaf hear and the dead are.
"Spiritibus immundis imperat et obediunt an" commands the unclean spirits and they obey it.
"Qualis est "Obey What is this man, the wind and sea
?" A Fulgur et temperate state nos libera hic quia venti et mare obediunt? "From lightning and tempest protect us
" Miraculose apparuerat rubens cruor of Jesus Christ ": to miraculously appeared red blood of Jesus Christ 1384 .
The wooden cartridge next to the altar with the inscription "altar perpetuo privilegiatum" says that is a devout on this privileged altar Sacrifice of a fully Komen drain connected to the deceased.
Empress Maria Theresa remodel 1768 first altar from 1575 to the present form can rococo altar, maintaining the image with a Last Supper. Lutterotti O. writes of this Painting Jacopo Bassano real name. da Ponte, which Landeskonservatorin J. Gritsch John Bapt. Fontana. Because of this the time the original court painter was in Innsbruck, the latter is more plausible. The tabernacle of rich silver-embossed ( Eucharistic miracle ) is an excellent work of the Augsburg goldsmith Georg Baur 1770. On either side is ever a baroque reliquary. On the wall to the presbytery of the church two altar leaves hang on canvas ". The ecstasy of St. Augustine" is denoted by J (ohann) M (ichael) Greiter (1769). The other picture shows the sacrifice of Isaac, and was developed by Carl Loth in the 17 Century created. The statues zwsichen the windows represent the St. Augustine (Founder), the hl. Nicholas of Tolentino, the St. Thomas de Villanova and St.. Johannes a Facundo dar. The last three are hermit saints. The chapel is the St. Vitus blood and Modestus (Nothelfer and martyrs) and was consecrated on 20 solemnly inaugurated in July 1574 with the transfer of the miraculous Host . The chapel had blood from 1953 to 1957 and 1983/84 will be renovated.

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Spätgotische Pfarrkirche Seefeld zum hl. Oswald (1474)

Pfarrkirche Seefeld, Tirol

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Schrein im Hochaltar der Pfarrkirche Seefeld, Tirol

late Gothic figures of the 15th Century; hl. Oswald (right) and hl. Sigmund (left), both kings (c. 1490) are Hans Klocker attributed.

Schrein im Hochaltar, Pfarrkirche Seefeld, Tirol

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Pfarrkirche St. Oswald, Seefeld in Tirol

late Gothic, three-nave church. Under Duke Frederick IV - choir and tower (1432). In the Archduke Sigmund Rich in Coin - Long House, ribbed vaults and Portal (1466-1474). Only remaining still from the church building workshop in Innsbruck.

Pfarrkirche St. Oswald, Seefeld, Tirol

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Die Hostienmirakeltafel von Seefeld, Tirol

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Die Mirakeltafel von Seefeld, Tirol

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Schwarzer Kruzifixus (gotisch), Alte Spitalkirche, Innsbruck

Anonymous painting, around 1515

Gotische Kruzifix "Schwarzer Kruzifixus", Alte Spitalkirche, Innsbruck

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Hochaltarbild Pfingstwunder Alte Spitalkirche, Innsbruck

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Hochaltarbild Pfingstwunder, Alte Spitalkirche, Innsbruck

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Maria vom guten Rat, Innsbruck, Alte Spitalkirche

Maria vom guten Rat, Alte Spitalkirche, Innsbruck

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Dom zu St. Jakob, Innsbruck

architect Johann Jakob Herkommer (1717), inside

Dom zu St. Jakob, Innsbruck, Innenansicht

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Das Mariahilfbild im Dom zu St. Jakob in Innsbruck


Seit Jahrhunderten rufen gläubige Menschen Maria, die Mutter Gottes, in ihren Sorgen und Nöten um Hilfe und Beistand an. Der Maler Lukas Cranach d. Ä. (1472-1563) hat diesem Glauben im später so benannten "Mariahilf"-Bild einen tiefempfundenen, künstlerischen Ausdruck verliehen.
Der Landesfürst von Tirol, Leopold V. - an ihn erinnert in Innsbruck der Leopoldsbrunnen am Rennweg -, bewunderte dieses Gemälde in der fürstlichen Galerie zu Dresden und erhielt es vom dortigen Kurfürsten als Gastgeschenk. So kam das Bild (über Passau) nach Innsbruck.
Zu besonderen Anlässen wurde es von der Hofburg in die St.-Jakobs-Pfarrkirche gebracht. Daraus erwuchs der Wunsch der Innsbrucker Bevölkerung, worshiping it there permanently to be able to. On 3 July 1650 was the ceremonial transfer of the Icon in the former parish church of St. Jacob, which was then rebuilt in the years 1717 to 1724 and today the cathedral is built Diocese of Innsbruck in 1964.
In many copies is the Madonna and wandered out into the church, chapels and dining rooms of many countries in Europe and become so one of the most common images of Mary.
His message of merciful love of God to us humans should give the believers and seekers comfort and confidence in the Diocese of Innsbruck and strengthen the cooperation and the solidarity with the Cathedral.